Valerio adami lithogaphie signed lower right. Size 154 x 54 cm printed on vellum of arches perfect state transport recommends offered.
Valerio adami, the most French of Italian painters, is best known for its famous flat tones and its shapes outlined by a black outline that are reminiscent of the clear line of comics but also the stained glass windows of churches. The main themes of his paintings are literature, travel, and the relationship between poetry, music and painting. From the beginning, he also maintained close relations with writers and artists of the Parisian international avant-garde. Adami is formed through the workshop of felice carena.
And meet in venice oskar kokoschka. After studying lacquer painting at Brera, Milan. In the studio of Achille funi. Valerio adami gives first canvases that are related to Expressionism.
But, very quickly, he finds a clean style, made of shapes strongly surrounded by a thick line and treated in solid colors (surrealist influence that remains underlying in his work) and without shadows. On his first trip to Paris. (1955), he meets wilfredo lam. He gets his first solo show in Milan. And there exhibits his first works influenced by matta.
From this date, he shares his life between Italy and Paris while making many trips around the world: South America. In 1968, he exhibited his work at the jewish museum in new york, in 1970 in mexico city and jerusalem. During the 1970s Adami claims to be one of the notable representatives of the new figuration. He develops a psychological pictorial style characterized by the elaborate design, that the color has the function of diverting, modifying or amplifying.
His works are distinguished by the saturation of colored surfaces where no white remains, no trace of doubt or incompletion. He defines the painting as "a complex proposition, where previous visual experiences form unpredictable combinations.
" The figurative character of his works, painstakingly elaborated by many preparatory drawings, must not be misleading: it is a reconstruction of the perception aimed at the appropriation of images and not a direct reference to the reality seen "the picture is not made of the same substance that vision. The characters, objects, landscapes are articulated in complex compositions where the classic relationships of space and depth are completely upset. But adami has often been called a "classical painter" because of his work on the line. However, he never fell into "neo-classical redundancy postmodern".Adami settles in Paris or larc at the Museum of Modern Art in the city of Paris. His work is the subject of a major retrospective at the Georges-Pompidou Center. And then exposes to such aviv and buenos aires. From 1970 to 1994, he exhibited at the maeght gallery which will become the lelong gallery in Paris. His work on memory, individual then collective, led him to address in the 1970s. Portraits of celebrities James Joyce. Then landscapes and historical events the French Revolution. Incorporating carefully painted title words that refer to ancient painting. The importance attached by adami to the drawing, the way in which it brings closer to the cultural elements, was commented by philosophers like jacques derrida. He also devoted several studies including its evolution.
He summarizes his work by era: the 1960s corresponding to the enumeration of objects "that consumption size in the soul and the body"; the 1970s marking a series of portraits of thinkers, writers, policies of the "modernist renaissance" and the 1980s that correspond to "memories of love, offerings to the impossible union, ex-voto to the metamorphoses of the desire, monuments to separation and death ". Since the late 1980s, adami has executed large-scale murals for various public buildings, including in 1973. For the first national city bank of Madison. For the foyer-bar of the Théâtre du Châtelet.
In 1985 he participated in the Biennial of Paris. He also made eight stained glass windows for the city hall in Vitry-sur-Seine. And monumental paintings for the Salle des pas perdus at the Gare d'Austerlitz.
Since 2004, a major retrospective has been devoted to the museum frissiras of Athens, and adami then chained several solo exhibitions in Italy, Finland and Spain. Currently, he is working on the creation of a foundation dedicated to drawing in meina in Italy. In 2008, a retrospective will be dedicated to the Pomodoro Foundation of Milan. And finally since 2004, he is represented by the daniel templon gallery. The item "adami valerio original lithograph signed abstract figuration narrative art" is on sale since Monday, September 24, 2018.
It is in the category "art, antiques \ art of the twentieth, contemporary \ prints, etchings". The seller is "artdac" and is located in / in paris. This item can be delivered anywhere in the world.