He contemplates and studies their paintings. In Paris, he exhibited at the ephemeral salon of the under-thirty, at the show of autumn which he was named member in 1938, the show of May. In 1946-47, he participated in the group \He rubs shoulders, matisse, bonnard, manessier, rouault, geer van de velde, atlan, etc.Around 1950, he abandoned the exhibitions, but continues to work. In 1953, he collaborated with braque in the realization of the three ceilings of the Etruscan hall at the Louvre. He resumed exhibitions around 1960. From 1962, he exhibited new realities of which he became a member in 1967. He also participated in other collective exhibitions abroad: \\Pierre Pallut also shows his works in solo exhibitions.
The first takes place in 1948 at the maeght gallery in Paris. It is followed by many other exhibitions: in 1970, maydieu cultural center in Paris; in 1972, in London, prudhoe gallery; in 1974, in paris, streaming gallery; in 1976, monique delcourt in valenciennes; in 1977, Centaur Gallery, in Cannes; in 1982, gallery coard in Paris; in 1989, 1990 and 1994, in paris, lambert rouland gallery. In 1946, the prize of the young painting, awarded for the first time, is attributed to pierre pallut. Also for his first award, the fénéon prize was awarded in 1949.Pierre painted painted still lifes and portraits, noted for the distinction of their colorful ranges. He also made wall decorations, such as the mosaic in the ciotat carried out in 1971, at the maternal school of cannet in 1976.
The work of stone pallut is split into its continuity. From 1948, the painter operates a sudden evolution towards abstraction. However, despite the abandonment of form, his abstract work is distinguished by a delicacy that remains from the first period of the painter and can be described as post-impressionism.
De klee, pierre pallut retains the freedom of language but does not forget to renounce. In this second period, however, he pursues the iridescence of his own inner vision, abstract now.
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